Holiday Options in April at Hume Conservatorium
ROCK
12 April 10am – 2pm Guitar Orchestra with Garth Prentice. Perfect for the junior guitar player, this ensemble program helps kids engage with their instrument and learn how to work as part of a group.
SING
13 April 10.30am -12.30pm Glee Club with Richard lane
PLAY
18 April 10am – 12pm Toots and Doods and Music with Andy and Emma. have fun with Different instruments with Andy and Emma. Including our brand new program of beginner woodwind instruments Toots and Doods!
Additional FREE Holiday Programs include
Production Workshop (Week 2, Funding dependant)
Guitar Masterclass (Week 2, Funding dependant)
Synth Workshop (Week 2, Funding dependant)
Sign up to register your expression of interest.Â
Free holiday break programs may be funded by the Office of Regional Youth Holiday Break Program for 12-24 year olds.Â
What a fabulous evening showcasing all the ensembles and groups of the Hume Conservatorium. We also saw solo performances by our 2022 Scholarship recipients.Â
Congratulations to all our Achievement Award Recipients, and our 2023 Scholarship recipients.Â
All images by Sarah Fife.
The end of my first 3 months here coincides with the final stages of our business year, and our planning for 2023.
The year in review
Itâs been a big year for the Con with some ups and downs.
The biggest up this year was getting back to full face to face teaching, ensembles and events. The Covid restrictions had a dampening effect on many of our lives, so the ability to work together in person has been very welcome
Opening of the Creative Precinct was another major up this year. It is flexible, comfortable and has a truly great acoustic with rave reviews from performers right across the musical spectrum. Our MidWinter feast was an outstanding event of Hume Con staff fundraising for scholarships and bursaries.. We held our first Chamber Music Festival in September culminating in a concert at St Saviours featuring Vocalocal alongside the Sydney Chamber Choir. We took delivery of 14 Yamaha pianos including the incredible CFX Grand. For our young people we held numerous performance pracs, supported the Lilac Festival battle of the Bands and opened the Creative Precinct to touring performers such as Luminescence, Australian Brandenburg Orchestra, the Sydney Youth Orchestra, Steve Kilbey, and Blues Fest. 6 young composers worked alongside the Mighty Playwrights program and we supported the Rocky Hill production of Aida. It was a huge year! We already have big plans for 2023 including incursions for students so they can access more performances, workshops, and visiting shows.Â
News and UpdatesÂ
There are a number of good things coming next year and some improvements in how we work. During the summer vacation we have a number of short programs for our students and the community more generally.
16 -17 January APRA AMCOS Songmakers Workshop (Free)
18 January Songmakers for Bands. (Free)
19 January Guitar Orchestra ($40)
19 January Glee Club ($30)
We will start some new ensembles next year â in part building on previous holiday programs:Â
We are re-establishing an auditioned choir. It will perform a diverse repertoire with members who all have good reading and singing skills. To enquire about auditioning follow the website link.Â
Goulburn Mulwaree Council has agreed to continue funding for the Hume Con based early childhood music program via Schools as Community Centres.  We may replicate this program in other centres if there is enough interest. Performance pracs will be on weeks 3, 6 and 9 of each term, with concerts in week 10.Â
We are teaching in 13 schools next year, and hope to start some new school-based instrumental and vocal groups. Schools outside Goulburn will have access to performance pracs on site, and in Goulburn we want to encourage any of our school groups or students to take advantage of our performance pracs at the Con, so that all our students have the same opportunities.  Â
Our signage around the Con is being refreshed over the break. The main purpose of this is to make it easier to find your destination within our precinct- although we are obviously trying to do a nice job of it within a modest budget. Next term we should also have display screens with lesson times both in our main foyer and in the Rock Con- There were a couple of times this term when there were problems with lesson times leading to confused students. There will also be a service phone in the Rock Con so that the office can be more easily contacted when issues arise.Â
Within the admin office, I know the changes in staffing this year have led to some choppy service. We have got our accounting largely under control now, but we are quite aware that service has been patchy. In the new year, we will be recruiting so that there is music school admin staffing every afternoon.Â
Keeping in touchÂ
As I mentioned earlier, we will be asking everyone to re-enroll for next year. This will be an annual process from now on. The automatic re-enrolment between terms is convenient in many ways, but it often means we do not have current contact information for emergencies, accurate information about any medical issues or up to date records of which schools our students are attending. Â
In 2023 there are also changes to our lesson options, which make this essential. You will receive a link to refresh your enrolment details by email and we need these back by Monday 16 January so we can start adjusting timetables.Â
While on the subject of data, I want to assure you that we have paid attention to the increasing trend of cyber attacks in Australia. Our data is encrypted and our interaction with the data base is also encrypted. We are also starting to cull old records at the end of each year so that we only have the information we need, and information about recent students.Â
We will be surveying families over the break about your views on our work, and I look forward to your feedback. The surveys are anonymous and only the collated results will be retained. While we think we know our strong points and areas for improvement, your feedback is also valuable. It will help me to understand whether we are focusing on the right things. Â
Teaching modelÂ
We are changing our teaching model a little for next year. While 15 mins are a good way of reducing the cost, they are not as effective as we would like for teaching â even with very young students. So our teaching model needs to change. The key changes are:Â
So most students will have longer lessons, but 1 less lesson per term. This is partly for practical reasons â it makes make up lessons much easier to manage. But it also to help cushion the cost impact of longer lessons. I have also broadened the range of discounts available for multiple enrolments of various kinds within a family. Particularly for parents with larger families I am very conscious of the sizable commitments you are making to your childrenâs education.Â
FeesÂ
Follow this link to see our fees and options for next year. As I mentioned, we will email you a link to update your enrolment information. If you have trouble with internet connections, there will be a couple of machines set up at the Con from 9 January where you can re-enroll  Â
PoliciesÂ
There are a few policy changes as well. Key changes are:Â
If an enrolment needs to be cancelled, the notice period is reduced from the rest of the current term to 2 weeks. This applies to cancellations during the term, and cancellations between terms.  Â
Regards,
George Brenan
CEO
Hume Conservatorium offers annual scholarships to young musicians in the local community. The program is open to any musician regardless of whether they are students of Hume Conservatorium at the time of audition or not. It is policy of Hume Conservatorium that scholarships will be awarded to the students who, in the view of the conservatorium, are most likely to benefit from the scholarship grant. The quality of performance on the day of audition is a major factor in this decision, but not the sole factor. All styles of music are acceptable when applying for a scholarship.
Hume Conservatorium is very fortunate to have a number of local and regional organisations and individuals who support our Annual Scholarship Program. The purpose of the scholarships is to encourage and accelerate the musical development of students with potential, equipping them for further study at an advanced level.
Scholarships will be awarded in six categories â
Junior â Grade 3 and below
Senior â Grade 4 and above
Mature Age â For any student aged 21 and over
Baldsing Jazz Scholarship â students under 25 years of age studying in a jazz genre
Missing instruments fund
The scholarships awarded in these categories may change each year, dependent on donor support. Upon receipt of a scholarship, winners are required to have lessons with the most appropriate Hume Conservatorium tutor as decided by the CEO.  Scholarship winners are encouraged to write a letter of thanks to their sponsor (if appropriate) and to send a report of their activities at the completion of their scholarship year.
Coming up this month we host a fantastic concert from one of Australiaâs best vocal groups, and they even come from our region, based in Ngunnawal country!  Since 2015, Luminescence has performed extensively in Canberra and the surrounding regions, with their own concert series as well as appearing for a range of festivals and special events. They are regular performers at the Canberra International Music Festival.
Their music covers everything from the Renaissance to the 21st century, and regularly includes new music by Australian composers, including composers within their own ranks. Luminescence Chamber Singers also delivers a range of educational activities, including workshops, young artist programs, masterclasses, and holiday programs, as well as hosting the Luminescence Children’s Choir.Â
In drawing breath Luminescence Chamber Singers explore first breaths, last breaths, and music as diverse as the vast compass of human life and feeling in between: from Pink Floyd, Florence and the Machine to much older music by Machaut and Gesualdo, as well as new works by Brenda Gifford, Connor DâNetto and Dan Walker.
Our breath is a base expression of our feelings â we let out an anxious or surprised gasp or a sigh of relief. We take a deep breath when we brace ourselves, and hold our breath when we wait. We talk about our breath when we are awestruck when we rest, when we sigh, or speak, or sing. And in recent years, we have witnessed and experienced difficulty in breathing from the thick smoke of bushfires to the spectre of respiratory infection.
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Meanwhile, the words âI canât breatheâ resonate around the world as a harrowing reminder of the ongoing persecution of black communities both in the United States and here at home in Australia.Â
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For anyone studying or interested in the the power of singing and the human voice, this will be an exciting performance and, for students, a great opportunity to see other young performers in action. There are special ticket rates for Hume Con supporters please use HUME22 to receive a discount on your tickets.Â
21 October
Creative Precinct 48 Verner St Goulburn (Side entrance to the Con)
6.30 pm for 7 pm start
PROGRAMME
Pink FLOYDÂ arr. Dan WALKER |Â Breathe
MACHAUTÂ |Â Motet no 2: Sospiro (Breath)
Dan WALKER | Listen, Are You Living Just A Little And Calling It A Life? [world premiere]
Andrew Ford | Red Dirt Hymns: Dark Cloud
Carlo GESUALDOÂ |Â Sospirava il mio core (Sighs my heart)
Hildegard von BINGENÂ |Â O ignis spiritus (O spirit of fire)
Connor DâNETTO | Many Passes and Yearnings [world premiere]
Carlo GESUALDOÂ |Â Dolcissimo Sospiro (Sweetest breath)
David LANGÂ |Â When it is time (from âlittle match girl passionâ)
Andrew Ford | Red Dirt Hymns: Isolation Hymn
Adrian WILLAERT | Sospiri Miei (My sighs)
Brenda GIFFORDÂ |Â Yangaa
Jess GREENÂ |Â I Heard You Sing
Florence WELCHÂ arr. Dan WALKER |Â Between Two Lungs
I wanted to take an opportunity to greet you as the new CEO of Hume Con.
Iâve been a musician in one form or another since I was about 7.  In hindsight I think I feel sorry for my teacher at the time, but I guess she did pretty well because I still play and enjoy my music making. I have been working for the benefit of the community throughout my working life- in public service, education and the community sector.  And now I get to circle back to music, so I am genuinely thrilled to have the opportunity to make a difference at HumeCon.
Realistically, many children will not go on to be professional musicians- I didnât. But a musical education is a lifelong gift. The ability to understand and make music stays with them, and in whatever form, can be enriching for their whole life. Of course, music is not the only form of performance training, but few other disciplines call on as many skills simultaneously. There are lasting benefits from developing the skills coordination which music calls upon. I hope that you can see the difference music is making for the students you know – both in the pleasure it gives and through this underlying skills development.
With growth in the region around us there are great opportunities for HumeCon, both by ourselves and in collaboration with the many cultural institutions around us. Â We are always happy to hear your feedback and ideas, so feel free to email us using [email protected].
I also hope to meet many of you in coming weeks as I get along to various events. Â
George Brenan
CEO
The Hume Conservatorium Board of Directors is delighted to announce the appointment of the new CEO George Brenan. Â
George initially joined the board of Hume Conservatorium at the AGM in March of this year, and subsequently became available for the CEO role. He has since resigned from the board and his other work commitments to take up the CEO position beginning on Wednesday 7 September 2022.Â
George moved to Goulburn permanently in 2021 and is about to build a new home here. He has been a musician since the age of 7 with diverse interests over the years including voice, keyboard, sax, viol da gamba, and renaissance winds/capped reeds.Â
âThe musical development that the Hume ConservatoriumâŻoffers can transform the lives of young people â and not only musically.⯠Itâs a thrill to help the Con build up what it can offer communities across our region.â George said, âCultural institutions thrive together, and the Hume Con will always aim to be in the midst of life across the Goulburn Mulwaree region, bringing our contribution to the cultural richness around us.ââŻÂ
George is passionate about the future of Hume Conservatorium and the life-changing benefits of musical education for young people. Â âThe opportunity to take on this role was unexpected, but it was impossible to refuse. I look forward to getting to know our school and student communities and build on the 37-year legacy of Hume Con.â George added. Â
In this role, he complements his passion for music with leadership experience from senior executive roles in the public service and with the ANU National Security College. More recently he has run a small consultancy providing strategic and change management advice. Â Â
He has served on the boards of other not-for-profit organisations for around 15 years and is a member of the board of Volunteering ACT Ltd. Previously, he served on the boards of Meridian ACT Inc, Karralika Programs Inc, and the SpringOut Association Inc.Â
Ed Suttle commented âAs Chair, I am thrilled George has accepted the role of CEO. He came through a highly competitive recruitment campaign, he is very familiar with Hume Con and its activities and priorities, he is a proven administrator, he is a very keen musician, and he is passionate about the benefits of music educationâ.Â
Hume Conservatorium is excited to welcome George to the position and look forward to his expert input into the future of the Conservatorium and music opportunities in the region.    Â
Friday 16 September Festival Club Caberet 9.30 – 11pm at the Goulburn Club
Saturday 17 September 10.30am -11.45am at Hume Conservatorium
On Friday night join Richard Lane and Glenn Amer for the festival Club Caberet at the Goulburn Club. Wind down with drinks and enjoy the music of these incredible local artists.Â
Richard Lane and Glenn Amer take you back to the great old songs of yesteryear songs to dance to, songs to fall in love to, and songs to sweep you off your feet.
Richard Lane teaches voice at Hume Conservatorium and runs the Vocal Muster in Wingercarribee. Richards passion is helping young people find their voice and develop their skills.Â
Glenn is Director of Music to St. Peterâs Anglican Church, Cremorne and enjoys playing the three manual pipe organ there and regularly plays at the five manual console of the Sydney Town Hall. Glenn is the previous Head of the Piano Faculty at Hume Conservatorium. Â
They look forward to taking you on journey down memory lane.
Extraordinary concert pianist, Simon Tedeschi, is one of Australia’s best-loved classical musicians, performing everything from Mozart and Chopin to Debussy and Prokofiev for orchestras, festivals, and venues around the world, from Sydney Opera House to Carnegie Hall. With a long-harboured love of jazz, and three celebrated albums of Gershwinâs music to his name, tonight Tedeschi teams up with jazz vocalist and violinist, George Washingmachine, for something a little different – Gershwin favourites and classic jazz standards by Cole Porter, Oscar Peterson, Fats Waller and more.
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âA common question about Gershwinâs music is: âis it jazzâ? Many would say that jazz has to be improvised. But even then, jazz is often defined by its groove and a grounding in the blues, that uniquely American sound and form teetering between happiness and sadness. Based on this alone, it would seem that George Gershwinâs music is more jazzy than jazz, as his music is also the legacy of Russian classical music, Eastern European Klezmer and French impressionism.
However, his music has such a sense of harmonic inevitability and flow that jazz musicians – those inculcated in the tradition of the music of Black America, from the south in particular – use Gershwinâs songs (and his brotherâs lyrics) to create jazz. George is a jazz musician and I am a classical musician who loves jazz, and so our duo represents everything that Gershwin is and tries to be – a music for all people, in all our complexity.â â Simon Tedeschi
Hume Conservatorium are thrilled to host a performance of the award nominated Requiem by Paul Stanhope. The Requiem will be performed by the Sydney Chamber Choir as part of the Hume Chamber Music Festival.
Prior to the Requiem the Chamber Choir will perform with Students from local primary school choirs and our own Vocalocal Choir led by Ben Scott.
“In his new Requiem, Paul Stanhope has interspersed and, in some cases, replaced the words of the traditional Latin Requiem with poems by five women. As Stanhope notes, the choice of female poets was not pre-planned but the end result of an instinctive set of decisions. The result is a work of nuanced expressive variety alternating between ritualised sorrow and reflection reminiscent of Brittenâs War Requiem.
With soprano and tenor soloists (a pristine clear-voiced soprano Chloe Lankshear, and gently grained tenor, Richard Butler) and small instrumental ensemble of oboe, clarinet, bassoon, horn, harp and percussion, the new Requiem has clarity of shape, and fresh and imaginative musical ideas, all wrought together with Stanhopeâs characteristic high craft.” – By Peter McCallum (
Sydney Chamber Choir – Garden of the Soul
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We acknowledge the traditional Custodians of this Land, where the Aboriginal People have performed age-old ceremonies of storytelling, music, dance and celebration. As a traditional meeting place, many first nations peoples came to this region. Underneath our buildings and roads this Land always will be traditional Aboriginal Land. in the same way, all music making genres and practices come from our musical elders, so we acknowledge those on whose skills and wisdom we draw.
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